Site icon The Crescent Magazine: Tulane's Online Lifestyle Publication

What You May Not Know About Mardi Gras

<p><span style&equals;"font-weight&colon; 400&semi;">Mardi Gras Indians will take your breath away with their strong celebration of life and culture&period; Yet beneath the famous&comma; most vibrant celebration of life that is Mardi Gras&comma; lie concealed secrets of centuries of discrimination&period; <&sol;span><&sol;p>&NewLine;<p><span style&equals;"font-weight&colon; 400&semi;">Mardi Gras Indians are groups of people&comma; predominantly African-American&comma; who primarily come from the inner city of New Orleans&period; Their tribes are the oldest cultural organizations&comma; having entered New Orleans during the days of slavery&period; They are known for their preservation of African &OpenCurlyDoubleQuote;dress art” and vibrant demonstrations&period; Each year the tribes peak on Mardi Gras day&comma; as various groups circulate through neighborhoods&comma; sharing their culture in high-spirits&period; Although oppressed and often overlooked&comma; Mardi Gras Indians are proud of their culture and continue to carry on their traditions&period;<&sol;span><&sol;p>&NewLine;<p><span style&equals;"font-weight&colon; 400&semi;">Historically&comma; African Americans have developed their own ways of celebrating Mardi Gras within their own communities due to their cruel exclusion from the mainstream celebration&period; These groups&comma; or tribes&comma; are titled Mardi Gras Indians due to the history of African Americans and Native Indians relations&comma; dating back to the early 1800s&period; Native Americans in Louisiana would often assist runaway slaves escape north and give them shelter on their journeys&period; South Louisiana has a long history of both alliances and intimate relationships between African Americans and Native Indians&comma; as many Mardi Gras Indians today have families and ancestry of Native Indians&period; The first tribe&comma; the <&sol;span><i><span style&equals;"font-weight&colon; 400&semi;">Creole Wild West<&sol;span><&sol;i><span style&equals;"font-weight&colon; 400&semi;">&comma; had emerged in the 1855 Mardi Gras&comma; thereby beginning the legacy of the Mardi Gras Indians&period; The tribes are typically composed of men and became arranged in a hierarchical order&comma; with the Big Chief being the most elite position&period; The Mardi Gras Indians do not just celebrate annually&comma; they have adapted it as their community lifestyle&period; <&sol;span><&sol;p>&NewLine;<p><span style&equals;"font-weight&colon; 400&semi;">In the article&comma; <&sol;span><a href&equals;"https&colon;&sol;&sol;www&period;aaihs&period;org&sol;the-complicated-history-of-race-and-mardi-gras&sol;"><i><span style&equals;"font-weight&colon; 400&semi;">The Complicated History of Race and Mardi Gras<&sol;span><&sol;i><&sol;a><span style&equals;"font-weight&colon; 400&semi;">&comma; African American studies specialist Trimiko Melancon&comma; part of the African American Intellectual History Society&comma; states that post Civil War Mardi Gras pushed empowerment towards white dominance and reaffirmation of black suppression&period; African Americans were not accepted into krewes until 1973&comma; when Zulu became the first krewe to integrate&period; <&sol;span><&sol;p>&NewLine;<p><span style&equals;"font-weight&colon; 400&semi;">There are various groups of Mardi Gras Indians who are made up of different communities&semi; these groups are usually referred to as gangs&period; &OpenCurlyDoubleQuote;Mardi Gras Indian traditions are community-based&comma; meaning they differ amongst gangs&comma;” states Cherice Harrison-Nelson&comma; a third generation Mardi Gras Indian who is co-founder and curator of the Mardi Gras Indian Hall of Fame&comma; &OpenCurlyDoubleQuote;For example&comma; different gangs will demonstrate their own personal funeral rites and grieving rituals&period;” Something that all gangs have in common&comma; though&comma; is the way they express themselves&comma; through the creation of ceremonial and narrative attire for Mardi Gras parades&period; Individuals craft their own attire&comma; known as &OpenCurlyDoubleQuote;suits”&comma; from scratch each year and follow community ritual processions&comma; which is a way for them to come together&period; Suits are individualistic and a form of identity&comma; telling their own personal stories&period;<&sol;span><&sol;p>&NewLine;<p><span style&equals;"font-weight&colon; 400&semi;">According to Dr&period; Jackson&comma; a renowned cultural anthropologist who has spent 30 years with the tribes&comma; Mardi Gras Indians have often used their sewing and suit creation as an artistic outlet to symbolically express their discontent towards white power in the South&period; <&sol;span><span style&equals;"font-weight&colon; 400&semi;">They spend months individually hand-crafting each suit with beads&comma; feathers and rhinestones&comma; some maskers even spending the entire year creating their new suit for the following year&period; <&sol;span><span style&equals;"font-weight&colon; 400&semi;">When you think about how much money and how many hours goes into each suit&comma; some weighing up to 150 pounds&comma; it’s incredible to look at them up close and see their gorgeous and intricate details&period; Dr&period; Jackson expressed that their suits are &OpenCurlyDoubleQuote;what makes them truly street warriors&comma; as they fought with the aesthetics of their designed suits&period;”<&sol;span><&sol;p>&NewLine;<p><span style&equals;"font-weight&colon; 400&semi;">Harrison-Nelson also mentioned how Mardi Gras Indians engage in personal narrative dances and songs to express their culture&period; &OpenCurlyDoubleQuote;Mardi Gras Indians sing in a call and response format and work to support their gang members in every way they can&comma;” she says&period; Hence&comma; Mardi Gras Indians are always there for one another and work to present their culture to the outside world through various means&period; Harrison-Nelson refers to partaking in these traditions as a &OpenCurlyDoubleQuote;spiritual calling&period;”<&sol;span><&sol;p>&NewLine;<p><span style&equals;"font-weight&colon; 400&semi;">The fight for equality has been an excruciating and constant struggle for the Mardi Gras Indians&period; The tribe’s traditions have been around for centuries and are the most jaw-dropping and extravagant parades&comma; but have gone largely unnoticed every Mardi Gras season&period; As the Mardi Gras Indians have formulated due to Mardi Gras’ complicated past with racism and oppression&comma; it is sadly unsurprising that they still must face these obstacles&period; During the Civil rights movement&comma; leaders of the tribes were often front runners at marches and sit-ins&period; People of the tribes fought and have always prioritized fighting back for social justice&period;<&sol;span><&sol;p>&NewLine;<p><span style&equals;"font-weight&colon; 400&semi;">One stark issue of oppression that has persevered over time for the Mardi Gras Indians has been issues with the police&period; Dr&period; Jackson spoke of the horror she’s witnessed of the police system’s interference with the Indians through the years&period; When the tribes make way on their parade in the streets&comma; police have consistently pushed the Indians off the streets during their parades&period; Jackson reiterates the brutal attacks of police by describing how they have &OpenCurlyDoubleQuote;barged in and break apart the parades as if it was a riot&period;” The police will then proceed to swinging&comma; pushing&comma; and hitting the paraders&period; Dr&period; Jackson shares that &OpenCurlyDoubleQuote;One of the most cruel acts is when the police curse out the Indians in front of young children&period;” To put it simply&comma; the police do not have a history of respecting the Mardi Gras Indians&comma; nor their traditions&period;<&sol;span><&sol;p>&NewLine;<p><span style&equals;"font-weight&colon; 400&semi;">While seeing the Indians fight back for justice against the police system for decades&comma; the most significant moment Jackson has witnessed was the City Council Hearing of 2005&period; The breakup of the Yellow Pocahontas tribe’s parade by the police on St&period; Joseph’s Night had resulted in such outrage&comma; as viral videos spread of police pushing paraders to the ground&period; At the hearing the next day&comma; elder Chief Tootie Montana <&sol;span><i><span style&equals;"font-weight&colon; 400&semi;">The Chief of Chiefs <&sol;span><&sol;i><span style&equals;"font-weight&colon; 400&semi;">of the Yellow Pocahontas tribe made a momentous speech about police oppression against the Indians and that he has seen and dealt with enough of it&period; He burned with anger and used all his energy due to the passion he had for his message&period; When he finished his speech&comma; Jackson recalls&comma; he dropped to the floor and the paramedics were called as panic spread among the crowd&period; The Mardi Gras Indians all broke out in song&comma; praying for their Chief&period; He had given his life to the fury he felt for the racial injustice of his people&period;<&sol;span><&sol;p>&NewLine;<p><span style&equals;"font-weight&colon; 400&semi;">Mardi Gras Indians only make a few public appearances per year which is a part of what makes them so special&period; Their first appearance is Mardi Gras Day&comma; the second and third are Super Sunday&comma; and on St&period; Joseph’s night&period; However&comma; if you’re lucky you may also spot a tribe or two performing at <&sol;span><span style&equals;"font-weight&colon; 400&semi;">the New Orleans Jazz &amp&semi; Heritage Festival this upcoming Spring&period; <&sol;span><&sol;p>&NewLine;<p><em>Featured image via <span style&equals;"font-weight&colon; 400&semi;">Magdalena Saliba&period;<&sol;span><&sol;em><&sol;p>&NewLine; <&excl;-- WP Biographia v4&period;0&period;0 -->&NewLine;<div class&equals;"wp-biographia-container-top" style&equals;"background-color&colon; &num;FFEAA8&semi; border-top&colon; 4px solid &num;000000&semi;"><div class&equals;"wp-biographia-pic" style&equals;"height&colon;100px&semi; width&colon;100px&semi;"><img alt&equals;'' src&equals;'https&colon;&sol;&sol;secure&period;gravatar&period;com&sol;avatar&sol;22eaa6e1a6eb3c37e450593576ff3691467528ee3a4fea0a4aadd6c53c54fa46&quest;s&equals;100&&num;038&semi;d&equals;wp&lowbar;user&lowbar;avatar&&num;038&semi;r&equals;g' srcset&equals;'https&colon;&sol;&sol;secure&period;gravatar&period;com&sol;avatar&sol;22eaa6e1a6eb3c37e450593576ff3691467528ee3a4fea0a4aadd6c53c54fa46&quest;s&equals;200&&num;038&semi;d&equals;wp&lowbar;user&lowbar;avatar&&num;038&semi;r&equals;g 2x' class&equals;'wp-biographia-avatar avatar-100 photo' height&equals;'100' width&equals;'100' &sol;><&sol;div><div class&equals;"wp-biographia-text"><h3>About <a href&equals;"https&colon;&sol;&sol;tulanemagazine&period;com&sol;author&sol;katielowe&sol;" title&equals;"Kaitlin Lowe">Kaitlin Lowe<&sol;a><&sol;h3><p><&sol;p><div class&equals;"wp-biographia-links"><small><ul class&equals;"wp-biographia-list wp-biographia-list-text"><li><a href&equals;"mailto&colon;&&num;75&semi;lo&&num;119&semi;&&num;101&semi;&&num;64&semi;tula&&num;110&semi;e&&num;46&semi;e&&num;100&semi;&&num;117&semi;" target&equals;"&lowbar;self" title&equals;"Send Kaitlin Lowe Mail" class&equals;"wp-biographia-link-text">Mail<&sol;a><&sol;li> &vert; <li><a href&equals;"https&colon;&sol;&sol;tulanemagazine&period;com&sol;author&sol;katielowe&sol;" target&equals;"&lowbar;self" title&equals;"More Posts By Kaitlin Lowe" class&equals;"wp-biographia-link-text">More Posts&lpar;2&rpar;<&sol;a><&sol;li><&sol;ul><&sol;small><&sol;div><&sol;div><&sol;div><&excl;-- WP Biographia v4&period;0&period;0 -->&NewLine;

Exit mobile version