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Maxo Kream: The Storyteller

<p>Maxo Kream’s second LP &OpenCurlyDoubleQuote;Punken” is a stellar improvement over his last LP&comma; 2015’s &OpenCurlyDoubleQuote;Maxo 187&period;” On &OpenCurlyDoubleQuote;Punken&comma;” Kream takes on the role of a storyteller&comma; rapping about the brash reality of drug dealing and gangbanging in the city of Houston&period; &OpenCurlyDoubleQuote;Punken” has many autobiographical elements that indicate these are stories about Kream’s own life&period; While this album features numerous &OpenCurlyDoubleQuote;pusher anthems” that will satisfy his core fan base&comma; it also shows that he is a well-rounded artist&period;<&sol;p>&NewLine;<p>&OpenCurlyDoubleQuote;Punken” provides a front seat to the harsh realities of drug dealing in America’s inner cities&period; On his track &OpenCurlyDoubleQuote;Grannies&comma;” he raps about living at his grandmother’s home after being kicked out of his parents’ home&period; &OpenCurlyDoubleQuote;Grannies” has a subtle production that allows Kream’s flow to shine&period; This allows him to grab the listener’s attention with his catchy hook&period; It is a great example of how &OpenCurlyDoubleQuote;Punken” has tracks with calmer production that accentuate Kream’s rhymes&period; &OpenCurlyDoubleQuote;Capeesh” offers listeners a more traditional trap anthem&period; It features young thug-like auto tune lines during the chorus&comma; along with a heavier production style&period;<&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;2898" aria-describedby&equals;"caption-attachment-2898" style&equals;"width&colon; 1134px" class&equals;"wp-caption aligncenter"><img class&equals;" size-full wp-image-2898 aligncenter" src&equals;"https&colon;&sol;&sol;tulanemagazine&period;com&sol;wp-content&sol;uploads&sol;Screen-Shot-2018-02-14-at-10&period;28&period;26-PM&period;png" alt&equals;"Screen Shot 2018-02-14 at 10&period;28&period;26 PM" width&equals;"1134" height&equals;"748" &sol;><figcaption id&equals;"caption-attachment-2898" class&equals;"wp-caption-text">Billboard<&sol;figcaption><&sol;figure>&NewLine;<p>It’s the tracks with more subtle production that are the most memorable&period; &OpenCurlyDoubleQuote;Roaches” is an example of a track with simpler production that shows off Kream’s storytelling mixed with his trap style&period; Kream raps on the chorus&comma; &OpenCurlyDoubleQuote;Remember roaches in my ashtray and roaches in my cereal&comma; Airforce knockoffs with the Gucci print material&comma; Way before the iPhones&comma; Twitter&comma; &OpenCurlyQuote;Gram socials&comma; I’m talkin’ bout Nextel chirps and Boost mobiles&comma; Back when the face tatts was for OG killas&period;” This chorus is thematic of the entirety of &OpenCurlyDoubleQuote;Punken”&&num;8211&semi;a tale fully detailing what it is like growing up around violence&comma; gangs&comma; and socioeconomic disparity&period;<&sol;p>&NewLine;<p>The production on &OpenCurlyDoubleQuote;Punken” is another detail that should not be overlooked&period; The album features samples from the likes of Tame Impala and The Wilderness&comma; with production done by big names like Sonny Digital&period; &OpenCurlyDoubleQuote;Punken” has the right amount of trap mixed with electronic and&comma; of course&comma; southern beats&period; A track such as &OpenCurlyDoubleQuote;5200” features heavier beats&comma; reminiscent of many southern hip hop instrumentals&period; On the other hand&comma; tracks like &OpenCurlyDoubleQuote;Grannies&comma;” &OpenCurlyDoubleQuote;Love Drugs&comma;” and &OpenCurlyDoubleQuote;Roaches” have more relaxed production&period; While many recent trap&sol;hip-hop records are characterized by their heavy beats&comma; these chiller production jobs are refreshing&period;<&sol;p>&NewLine;<p>COVER PHOTO&colon; Youtube<&sol;p>&NewLine; <&excl;-- WP Biographia v4&period;0&period;0 -->&NewLine;<div class&equals;"wp-biographia-container-top" style&equals;"background-color&colon; &num;FFEAA8&semi; border-top&colon; 4px solid &num;000000&semi;"><div class&equals;"wp-biographia-pic" style&equals;"height&colon;100px&semi; width&colon;100px&semi;"><img alt&equals;'' src&equals;'https&colon;&sol;&sol;secure&period;gravatar&period;com&sol;avatar&sol;e3f1ff1141a8b79ccbd2a51560b4e3b0b85ae4a7f33c8ee1804892c48bb065f9&quest;s&equals;100&&num;038&semi;d&equals;wp&lowbar;user&lowbar;avatar&&num;038&semi;r&equals;g' srcset&equals;'https&colon;&sol;&sol;secure&period;gravatar&period;com&sol;avatar&sol;e3f1ff1141a8b79ccbd2a51560b4e3b0b85ae4a7f33c8ee1804892c48bb065f9&quest;s&equals;200&&num;038&semi;d&equals;wp&lowbar;user&lowbar;avatar&&num;038&semi;r&equals;g 2x' class&equals;'wp-biographia-avatar avatar-100 photo' height&equals;'100' width&equals;'100' &sol;><&sol;div><div class&equals;"wp-biographia-text"><h3>About <a href&equals;"https&colon;&sol;&sol;tulanemagazine&period;com&sol;author&sol;leogilbert&sol;" title&equals;"Leo Gilbert">Leo Gilbert<&sol;a><&sol;h3><p>Leo Gilbert is a Marketing and Communications major who writes for our Entertainment team&period; He is into music&comma; skateboarding&comma; and fashion&comma; and he once met President Trump&excl;<&sol;p><div class&equals;"wp-biographia-links"><small><ul class&equals;"wp-biographia-list wp-biographia-list-text"><li><a href&equals;"mailto&colon;leogil&&num;98&semi;&&num;101&semi;rt&&num;57&semi;5&&num;64&semi;g&&num;109&semi;ai&&num;108&semi;&period;c&&num;111&semi;&&num;109&semi;" target&equals;"&lowbar;self" title&equals;"Send Leo Gilbert Mail" class&equals;"wp-biographia-link-text">Mail<&sol;a><&sol;li> &vert; <li><a href&equals;"https&colon;&sol;&sol;tulanemagazine&period;com&sol;author&sol;leogilbert&sol;" target&equals;"&lowbar;self" title&equals;"More Posts By Leo Gilbert" class&equals;"wp-biographia-link-text">More Posts&lpar;14&rpar;<&sol;a><&sol;li><&sol;ul><&sol;small><&sol;div><&sol;div><&sol;div><&excl;-- WP Biographia v4&period;0&period;0 -->&NewLine;

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